On this date in history, 8/16/1981, ZZ Top and Loverboy teamed up for a show at Market Square Arena in Indianapolis. I’m not sure who thought this was a good combination, but it certainly brought in a diverse crowd.
This show took place during my party years, so I took the opportunity to sit through Loverboy’s set and elevate my happiness level for ZZ Top’s performance. In all fairness to Loverboy, they had a great sound mix and plenty of support from the young ladies who turned out in their best ’80’s fashions to witness the Canadian rockers.
Looking back, I’m not sure who all was with me at this show, but I know I wasn’t the only one sitting out the first half. I do remember having a conversation with some girls in the row behind us who just couldn’t fathom why we weren’t up dancing to the band’s music. Different strokes for different folks, and I was definitely there for the bearded bad boys from Texas. ZZ Top were touring the El Loco album and had begun the shift into a more modern version of their blues sound, a direction that would make them millions a couple of years later with the advent of MTV and their slick videos featuring fancy hot rods and fancier women.
In 1981 they were one of the first bands utilizing a state of the art laser light show, and had already begun incorporating the signature synchronized moves of Billy Gibbons and Dusty Hill, the 2 members with matching facial hair magnificence. Drummer Frank Beard was beardless in face only, apparently having Beard as a last name makes one exempt!
As modern as their approach was getting, the boys knew that a substantial part of their fan base expected the raw and dirty blues of their early years, and thankfully there was still plenty of that to go around.
Gibbons effortlessly pulled all kinds of nasty beauty out of his guitars and gave us the “how how how’s” in La Grange just like we have them ingrained in our memories from the countless times we have heard that song throughout the years. Sometimes these odd combinations make for a great concert and this one worked out just fine.
Written By Braddon S. Williams aka The Concert Critic
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