Welcome to our “Psychedelic Lunch” series, “The 90’s Edition,” where we find out how deep the rabbit hole really goes and explore psychedelic tunes from the 60’s to today. Weekdays At Noon EST. Enjoy the trip!
Released on March 8, 1994, Nine Inch Nails’ “The Downward Spiral” was the band’s mainstream breakthrough despite being a seedy and twisted concept album about the destruction of man. Borrowing influences from David Bowie’s “Low” and Pink Floyd’s “The Wall,” it brought us into the deep, dark depths of Trent Reznor’s artistic mind.
“The Downward Spiral” saw Nine Inch Nails shed the electronic impetus of their debut release, “Pretty Hate Machine,” to include denser sound elements rooted in industrial rock, techno and heavy metal.
At the time of its release, NIN’s album debuted at number two on the Billboard 200 and went on to be certified quadruple-platinum. “The Downward Spiral” established Nine Inch Nails as a force within the 90’s alt-rock scene and beyond, and remains widely regarded as the band’s best work.
The album was written and recorded at the “Tate House,” the site of the murder of famed actress Sharon Tate by members of the Manson Family in 1969. Located at 10050 Cielo Drive in Benedict Canyon, Los Angeles, Reznor spent 18 months living in the house. He dubbed the studio where he worked “Le Pig” in reference to a message that was scrawled on the front door of Sharon Tate’s house.
Trent Reznor originally intended to record “The Downward Spiral” in New Orleans. He moved there after the album came out, and remained for a decade. Ironically, this was when he began his own downward spiral into alcohol and drug addiction.
The process of setting up a studio inside the Tate House took the band so long it delayed the release of the album.
“The Downward Spiral” was primarily recorded in a Mac computer.
In 1993, while still working on the album, Reznor came into contact with Patti Tate, Sharon’s sister. Patti accused Reznor of exploiting her sister’s death by living in the Tate home. The encounter deeply affected Reznor. Upon his moving out, the house was demolished.
Two songs, “Just Do It” and “The Beauty of the Drug,” were written for but subsequently cut from the final version of “The Downward Spiral.” The latter was eventually leaked on the “Disturbed” bootleg.
British artist Russell Mills created the cover artwork for “The Downward Spiral,” which featured his painting “Wound.” Other artwork and sketches from the album, including “Closer” and “March of the Pigs,” have been displayed at the Glasgow School of Art.