Psychedelic Week

Welcome to our “Psychedelic Lunch” series, “Bob Dylan Week” where we find out how deep the rabbit hole really goes and explore music from the 60’s to today. Weekdays At Noon EST. Enjoy the trip!

Folk-rock singer-songwriter Bob Dylan signed his first recording contract in 1961, and he emerged as one of the most original and influential voices in American popular music. Dylan has continued to tour and release new studio albums, including Together Through Life(2009), Tempest (2012), Shadows in the Night(2015) and Fallen Angels (2016). The legendary singer-songwriter has received Grammy, Academy and Golden Globe awards, as well as the Presidential Medal of Freedom and the Nobel Prize for Literature.

In 1960, Dylan dropped out of college and moved to New York, where his idol, the legendary folk singer Woody Guthrie, was hospitalized with a rare hereditary disease of the nervous system. He visited with Guthrie regularly in his hospital room; became a regular in the folk clubs and coffeehouses of Greenwich Village; met a host of other musicians; and began writing songs at an astonishing pace, including “Song to Woody,” a tribute to his ailing hero.

In the fall of 1961, after one of his performances received a rave review in The New York Times, he signed a recording contract with Columbia Records, at which point he legally changed his surname to Dylan. Released early in 1962, Bob Dylan contained only two original songs, but showcased Dylan’s gravel-voiced singing style in a number of traditional folk songs and covers of blues songs.

The 1963 release of The Freewheelin’ Bob Dylan marked Dylan’s emergence as one of the most original and poetic voices in the history of American popular music. The album included two of the most memorable 1960s folk songs, “Blowin’ in the Wind” (which later became a huge hit for the folk trio Peter, Paul and Mary) and “A Hard Rain’s A-Gonna Fall.” His next album, The Times They Are A-Changin’, firmly established Dylan as the definitive songwriter of the ’60s protest movement, a reputation that only increased after he became involved with one of the movement’s established icons, Joan Baez, in 1963.

While his romantic relationship with Baez lasted only two years, it benefited both performers immensely in terms of their music careers—Dylan wrote some of Baez’s best-known material, and Baez introduced him to thousands of fans through her concerts. By 1964 Dylan was playing 200 concerts annually, but had become tired of his role as “the” folk singer-songwriter of the protest movement. Another Side of Bob Dylan, recorded in 1964, was a much more personal, introspective collection of songs, far less politically charged than Dylan’s previous efforts.

Reinventing His Image

In 1965, Dylan scandalized many of his folkie fans by recording the half-acoustic, half-electric album Bringing It All Back Home, backed by a nine-piece band. On July 25, 1965, he was famously booed at the Newport Folk Festival when he performed electrically for the first time. The albums that followed, Highway 61 Revisited (1965) — which included the seminal rock song “Like a Rolling Stone” — and the two-record set Blonde on Blonde (1966) represented Dylan at his most innovative. With his unmistakable voice and unforgettable lyrics, Dylan brought the worlds of music and literature together as no one else had.

Over the course of the next three decades, Dylan continued to reinvent himself. Following a near-fatal motorcycle accident in July 1966, Dylan spent almost a year recovering in seclusion. His next two albums, John Wesley Harding (1967)—including “All Along the Watchtower,” later recorded by guitar great Jimi Hendrix—and the unabashedly country-ish Nashville Skyline (1969) were far more mellow than his earlier works. Critics blasted the two-record set Self-Portrait (1970) and Tarantula, a long-awaited collection of writings Dylan published in 1971. In 1973, Dylan appeared in Pat Garrett and Billy the Kid, a feature film directed by Sam Peckinpah. He also wrote the film’s soundtrack, which became a hit and included the now-classic song, “Knockin’ on Heaven’s Door.”

In 1974, Dylan began his first full-scale tour since his accident, embarking on a sold-out nationwide tour with his longtime backup band, the Band. An album he recorded with the Band, Planet Waves, became his first No. 1 album ever. He followed these successes with the celebrated 1975 album Blood on the Tracks and Desire (1976), each of which hit No. 1 as well. Desire included the song “Hurricane,” written by Dylan about the boxer Rubin “Hurricane” Carter, then serving life in prison after what many felt was an wrongful conviction of triple homicide in 1967. Dylan was one of many prominent public figures who helped popularize Carter’s cause, leading to a retrial in 1976, when he was again convicted.

After a painful split with his wife, Sara Lowndes — the song “Sara” on Desire was Dylan’s plaintive but unsuccessful attempt to win Lowndes back — Dylan again reinvented himself, declaring in 1979 that he was a born-again Christian. The evangelical Slow Train Coming was a commercial hit, and won Dylan his first Grammy Award. The tour and albums that followed were less successful, however, and Dylan’s religious leanings soon became less overt in his music. In 1982, he was inducted into the Songwriters Hall of Fame. 

Rock Star Status

Beginning in the 1980s, Dylan began touring full time, sometimes with fellow legends Tom Petty and the Heartbreakers and the Grateful Dead. Notable albums during this period included Infidels (1983); the five-disc retrospective Biograph (1985); Knocked Out Loaded (1986); and Oh Mercy (1989), which became his best-received album in years. He recorded two albums with the all-star band the Traveling Wilburys, also featuring George Harrison, Roy Orbison, Tom Petty and Jeff Lynne. In 1994, Dylan returned to his folk roots, winning the Grammy Award for Best Traditional Folk Album for World Gone Wrong.

In 1989, when Dylan was inducted into the Rock & Roll Hall of Fame, Bruce Springsteen spoke at the ceremony, declaring that “Bob freed the mind the way Elvis freed the body. … He invented a new way a pop singer could sound, broke through the limitations of what a recording artist could achieve and changed the face of rock and roll forever.” In 1997, Dylan became the first rock star ever to receive Kennedy Center Honors, considered the nation’s highest award for artistic excellence.

Dylan’s 1997 album Time Out of Mindreestablished this one-time folk icon as one of rock’s preeminent wise men, winning three Grammy Awards. He continued his vigorous touring schedule, including a memorable performance in 1997 for Pope John Paul II in which he played “Knockin’ on Heaven’s Door,” and a 1999 tour with Paul Simon. In 2000, he recorded the single “Things Have Changed” for the soundtrack of the film Wonder Boys, starring Michael Douglas. The song won Dylan a Golden Globe and an Academy Award for Best Original Song.

Dylan then took time out from his music to tell the story of his life. The singer released Chronicles: Volume One, the first in a three-book memoir series, in the fall of 2004. Dylan gave his first full interview in 20 years for a documentary released in 2005. Entitled No Direction Home: Bob Dylan, the film was directed by Martin Scorsese.