UPDATE: On May 24, 2021, Megadeth released a statement announcing they have parted ways with Ellefson.

It appears Megadeth’s David Ellefson has deleted his Twitter account after last week giving a statement denying allegations of grooming an underage girl online.

Earlier this month, several interactions seemingly made between the Megadeth bassist and a woman via text and video call, including compromising images of Ellefson, leaked on social media. A person had come forward on Instagram detailing those exchanges, but the original messages have since been removed. In his May 10 statement, the musician admitted his involvement in “private and personal conversations” that had been made public but maintained they were “adult interactions that were taken out of context.”

MEGADETH PART WAYS WITH DAVID ELLEFSON

Diversion Podcasts, a division of Diversion Media, has announced the launch of “Backstaged: The Devil In Metal”. Hosted by bestselling author and music journalist, Jon Wiederhorn, this 12-episode podcast offers a one-of-a-kind journey through the history and culture of heavy metal. The podcast explores elements of darkness and extremism in the music and, examines how a generation of rebellious rockers took the phrase “sex, drugs and rock n’ roll” to an entirely new level.

For the past 30 years, Wiederhorn has interviewed the biggest names in metal, and now, for the first time, listeners will be able to hear exclusive, never-before-heard audio from members of BLACK SABBATH, JUDAS PRIEST, METALLICA, DIO, PANTERA, SLAYER, LAMB OF GOD, ANTHRAX, MÖTLEY CRÜE, KISS, MEGADETH, SLIPKNOT and many more as they share outrageous, uncensored and sometimes unholy experiences from their lives in metal.

“I couldn’t be more excited about launching ‘The Devil In Metal’,” Wiederhorn says. “Everyone I’ve interviewed has been amazingly honest and revealing and there are so many great stories metal fans will love. As the saying goes, the show exposes the thrill of victory and the agony of defeat in the way it offers fans a rare backstage view of the high and lows of metal legends and others that shaped this music over the past 50 years.”

Episodes 1 and 2 are available now. Hear Jondelve into: the birth of devil metal; the artsits that celebrate the occult for shock value and those that claim to receive energy and empowerment from Satan, himself; the first artist to use the sign of the horns (it’s probably not who you think), and how the Satanic Panic of the ’80s changed music forever.

Future episodes address alternately shocking, hilarious, sometimes heartbreaking stories about heroin abuse, partying, groupies, horror, homophobia, and what makes metal sound so raw and gritty..

“Backstaged: The Devil In Metal” is a production of Diversion Podcasts with iHeartRadio. New episodes can be found each Friday on the iHeartRadio app, Apple PodcastsSpotify and wherever you find your favorite podcasts.

Wiederhorn is a seasoned music journalist, having written about rock and metal for more than 30 years. He is the author of “Raising Hell: Backstage Tales From The Lives Of Metal Legends” and the celebrated classic “Louder Than Hell: The Definitive Oral History Of Metal” (with Katherine Turman). Wiederhorn is a former editor at Rolling Stone, a former writer for MTV Newsand the co-author of “I’m the Man: The Story Of That Guy From Anthrax” (with Scott Ian), “Ministry: The Lost Gospels According To Al Jourgensen” (with Al Jourgensen), and “My Riot: Agnostic Front, Grit, Guts & Glory” (with Roger Miret) and He has also written for Rolling Stone, SPIN, MTV, Guitar World and Revolver, among others.

“Backstaged: The Devil In Metal” is a production of Diversion Podcasts with iHeartRadio. New episodes can be found each Friday on the iHeartRadio app, Apple PodcastsSpotify and wherever you find your favorite podcasts.

Wiederhorn is a seasoned music journalist, having written about rock and metal for more than 30 years. He is the author of “Raising Hell: Backstage Tales From The Lives Of Metal Legends” and the celebrated classic “Louder Than Hell: The Definitive Oral History Of Metal” (with Katherine Turman). Wiederhorn is a former editor at Rolling Stone, a former writer for MTV Newsand the co-author of “I’m the Man: The Story Of That Guy From Anthrax” (with Scott Ian), “Ministry: The Lost Gospels According To Al Jourgensen” (with Al Jourgensen), and “My Riot: Agnostic Front, Grit, Guts & Glory” (with Roger Miret) and He has also written for Rolling Stone, SPIN, MTV, Guitar World and Revolver, among others.

New Podcast Explores History Of Metal Feat. Rare Interviews With BLACK SABBATH, METALLICA, PANTERA, JUDAS PRIEST And More

Welcome to our “Psychedelic Lunch Series,”where we find out how deep the rabbit hole really goes and explore music from the 60’s to today. Weekdays At Noon EST. Enjoy the trip!

The group formed in the Latin District of San Francisco. They are named after group leader Carlos Santana, and were originally known as the Santana Blues Band. It’s one of the few groups named after a guitarist in the band (The J. Geils Band is another).

They appeared at both the original (1969) and second (1994) Woodstock. When they played the 1969 festival, they hadn’t yet released their first album – their manager, Bill Graham, pulled some strings to get them on the bill. They went on sooner than expected, catching Carlos in the middle of a mescaline experience. “I was praying to God to keep me in time and in tune,” he said.

Their performance was one of the most acclaimed and thrust them to stardom. As Graham predicted, it went to their heads: Carlos embraced an extravagant rock star lifestyle, but soon changed direction and went down a more spiritual path.

Carlos launched line of shoes at J.C. Penny in 2000. He did not design them, but they were supposed to be inspired by his music. Proceeds go to children’s charities.

When Neal Schon entered the group, there was some controversy because he was white. Carlos Santana wanted to try a two-guitar sound and thought Schon was up to task even though he didn’t have a Latin heritage. Schon and Rolie formed Journey when they left the group.

When the band had some hits and became a popular live draw, some of the members started using drugs, and Carlos thought they were getting lazy at their shows. He briefly left the band, but rejoined them later on tour.

Carlos Santana had a huge resurgence when his 1999 album Supernatural was released. Pairing Carlos with popular young singers like Rob Thomas, Everlast and Dave Matthews was a winning combination, and made Santana relevant to a whole new generation. The album was the big winner at the 2000 Grammy Awards.

Some of Santana’s early hits were new arrangements or adaptations of other artists’ material: “Jingo” from Babatunde Olatunji, Willie Bobo’s “Evil Ways,” Tito Puente’s “Oye Como Va,” and Peter Green’s “Black Magic Woman” (a big UK single for the late ’60s Fleetwood Mac).

In addition to being husband and wife for 34 years, Carlos Santana and his wife, Deborah, have also owned businesses and started a children’s charity, the Milagro Foundation, together. In late 2007, Deborah filed for divorce, citing “irreconcilable differences.”

In the early ’70s, Santana helped out another Bay-area band that went on to a five-decade career: Tower Of Power. Carlos Santana enlisted them as an opening act when ToP’s first album came out.

“We were hot in the Bay area, but in the rest of the country we were nothing,” Tower Of Power founder Emilio Castillo said in an interview. “But Carlos was into the band. And mind you, every night, we gave him a run for his money. A lot of guys would have just said, ‘I ain’t going to have those guys open for me, I look bad.’ But I believe he felt it made him play better and urged him on. So he took us all over the country and people had no idea who we were.”

Psychedelic Lunch

Dee Dee Bridgewater at the 2019 Newport Jazz Festival (photo: Marek Lazarski)

Dee Dee Bridgewater, Herbie Hancock, and Abdullah Ibrahim will be among the artists taking the stage Sept. 3-6; the event’s format (in-person or virtual) is still TBD

The Detroit Jazz Festival has announced its 2021 lineup—although it has yet to finalize a format for its presentation.

Headliners in Detroit from September 3–6 will include Dee Dee Bridgewater (the festival’s 2021 artist in residence), Herbie Hancock, Kenny Barron, Abdullah Ibrahim, Anat Cohen, Sean Jones, Kenny Garrett, and Gregory Porter, among others.

The world’s largest free jazz festival takes place each Labor Day weekend in downtown Detroit. When the worldwide COVID-19 pandemic forced live music events across the United States to shut down last year, the festival carried on in a live-streamed format.

The festival will decide by July whether the 2021 edition will be virtual or in person.

The schedule is below. Visit the Detroit Jazz Festival’s website for more information.

Friday, Sept. 3

  • 2021 Artist-in-Residence Dee Dee Bridgewater and the Woodshed Network Ladies
  • Herbie Hancock

Saturday, Sept. 4

  • Matthew Whitaker Quartet
  • Kenny Barron
  • Jerry Bergonzi Quintet
  • Alicia Olatuja – “Intuition: Songs from the Minds of Women”
  • Etienne Charles – Creole Soul
  • David Binney Angeleno Quartet
  • Omar Sosa and the Havana-Detroit Jazz Project
  • Keyon Harrold presents Jazz and the Birth of Hip Hop with special guests “Elzhi,” Georgia Anne Muldrow, and Chris “Daddy” Dave
  • The Summit: The Manhattan Transfer Meets Take 6
  • Kurt Elling’s The Big Blind

Sunday, Sept. 5

  • Michael Mayo
  • Roberto Fonseca
  • Dee Dee Bridgewater/Bill Charlap Duo
  • Abdullah Ibrahim and the Detroit Jazz Festival Orchestra
  • Anat Cohen Tentet
  • Sean Jones: “DizzySpellz”
  • Kenny Garrett
  • Tribute to Dave Brubeck @100: Brubeck Brothers Quartet featuring Jerry Bergonzi, Detroit Jazz Festival Choir, and the Detroit Jazz Festival Orchestra
  • Aziza featuring Dave Holland, Chris Potter, Lionel Loueke, and Eric Harland
  • Gregory Porter

Monday, Sept. 6

  • Abdullah Ibrahim: Ekaya
  • Jimmy Green Quintet
  • Eddie Daniels and Bob James: Exploring New Worlds
  • Fly Higher: Charlie Parker @ 100
  • Dee Dee Bridgewater Female Big Band

Detroit Jazz Festival Announces 2021 Lineup

No Hope For The Lost Shares Video “Jecht” From Final Fantasy X Themed EP “The Pilgrimage”

Video Premiere via NewFuryMedia
“The Pilgrimage” Out Now!

Following the Covid related demise of their band Deadlights, Re Mayer (guitar/backing vocals/synth) and Nathanael Bohnet (bass/lead vocals) took the opportunity to reimagine their sound and image to create No Hope For The Lost. Unleashing their introductory EP entitled “The Pilgrimage” earlier this April; the duo gave fans a taste of their entirely new sound, but left it just short enough to keep hype levels high.

The EP as a whole is structured to be a listening experience from beginning to end, combining an atmosphere of melody and groove with a foundation of heavy rhythms and ferocious vocal patterns, all wrapped up in a Final Fantasy X theme that will surely please members of that fandom.

Today, the band shares their music video for EP closer “Jecht” via its premiere on NewFuryMedia HERE.

The band adds:

“Jecht is a reimagining of a song originally written by Nate on his first solo album dubbed The Painted World. The song was originally intended to be played live in the Deadlights setlist, but after spending a lot of time in the studio with it and switching off ideas with Re, the song slowly evolved into an entirely almost new track. The intro song Braska was originally the beginning of Jecht, but once the full recording was made, it was then realized that splitting the song sections across the EP made a reprising theme throughout the short duration of the record. What really makes this song are the addition of guitar leads and synths written by Re to make it sound almost entirely different than the original, as well as the use of Nate’s massive choir-like choruses and vocal production to give it the explosive and finale-esque feel it was imagined as in the studio. Rhythm guitar-wise, this song was especially used to show off Re’s use of fast palm muting, dynamics, and various squeal and scrape based noises to transition parts while still following a template that the bass recorded by Nate really helped sound crunchy and thick in the bottom end.”

“The Pilgrimage” is a high-energy EP based on groove, melody, and a massive-sounding layered production. In a world where the fine line between djent, metalcore, and progressive metal is continuously blurred, “The Pilgrimage” is a sound confident on its own that refuses to fit in while still having the formulas that make interesting and catchy music.“The Pilgrimage” is available at the following links: Bandcamp and Spotify, Apple Music here.

Lyric video “Yu Yevon”https://youtu.be/OLHtGgNw_To

Track Listing:
1. Braska (1:36)
2. Yu Yevon (4:26)
3. Yunalesca (1:30)
4. Jecht (4:55)
EP Length: 12:28

For more info:
Facebook.com/NHFTL
Instagram.com/n0h0pef0rthel0st
EPK


“The demonic possession vocals are back for “Jecht” with a barrage of Nu-Metalcore riffs that create a dramatic and frantic pit starter. An unexpected and sumptuous solo followed by a big breakdown sequence is an absolute pleasure.” – Metal Noise

““Yunalesca” is another super-short track, but the melodies are outstanding. There is a thick heavy synth line with clean guitars and piano notes, along with some ethereal singing. It begins to pick up, and segues into “Jecht.” The angry vocals and Djent tones are back. It chugs along with some meter shifting until the chorus, where some clean vocals come in. Here is where I might recommend some backing vocals to thicken up the sound, but the song is on fire.” – Metal Temple

“The guitar work exists in a sort of djent space without being overwhelming, knowing when to take breaks and go for it. A good example of this is part three which  acts as an interlude. The instrumentation here is actually really clever with the feeling of space being very apparent. ” – Rock Out Stand Out

“”Yu Yevon” knocks everything and everyone over like a waltz from the start. Expect a kind of mix of diverse genres such as progressive metal, metalcore mixed with soundscapes, and a predilection for video games.” – Musika

No Hope For The Lost Shares Video “Jecht” From Final Fantasy X Themed EP “The Pilgrimage”

Primal Creation has released their sophomore album “News Feed, ” on April 16, 2021 as an Independent Release. They are a Modern Progresssive Thrash Metal band.

Artist: Primal Creation
Title: News Feed
Format:  CD/Digital/Vinyl
Independent Release



Tracklist

1 – Extremely Dangerous

2 – A Post-Truth Order

3 – Please Disperse

4 – Vial Play

5 – Antillectual Disease

6 – Follow The Reader

7 – Watch It Burn!

About the band:

Primal Creation consists of five members playing metal the way they see fit. The band found its current stable line-up in 2014 and self-released their debut full-length album “Demockracy” three years ago in 2017. This record was met with a lot of rave reviews and opened some doors for the modern thrash metal outfit.

In 2018 they were invited to open up for Skeletonwitch and played a supportshow for D.R.I. Their journey through the underground didn’t stop there, because one year later, in 2019, Primal Creation won the Belgian Wacken Metal Battle Finals and had the honour of playing the 30th edition legendary Wacken Open Air. While the band kept playing shows, they started writing music for the follow-up to Demockracy. The year 2020 was off to a terrible start; their singer broke his hip in an accident and a few months later the global pandemic happened. They digitally released the single Vial Play. This new track displayed a step towards a more progressive and twisted sound, while retaining their thrash metal roots. A keen eye for hooks, melody and authentic angry vocals complete the sound of Primal Creation.

With vocalist Koen back on his feet, Primal Creation proudly presents their sophomore record News Feed. 1 intro and 8 tracks display the evolution the band has undergone.

News Feed was recorded and mixed by Francis Snebbout at Oakwood Recording Studio, Kaprijke (BE) and mastered by Alan Douches at West West Side Music, NY (USA). The album has been released on 16-04-2021 and is available on both CD and limited vinyl. You can order their music through Bigcartel and Bandcamp.

 

 

Primal Creation is:

Clint Dusslier – drums and percussion
Ruben Dhaene – lead guitars
Cédric Uyttendaele – rhythm guitars
Ewoud Herregat – bass
Koen Mattheeuws – vocals

Band: Primal Creation

Album title: ‘News Feed’

Release date: April 16th 2021

Independent Release

Press contact: Mike de Coene at Hard Life Promotion

mike@hardlifepromotion.nl    

hardlifepromotion@gmail.com   

http://www.facebook.com/hardlifepromotion    

 

Primal Creation online:
https://www.vi.be/primalcreation

https://www.facebook.com/primalcreationband

https://www.youtube.com/user/PrimalCreationBand

https://primalcreation.bigcartel.com

https://open.spotify.com/artist/59FfRlRt6sEYdk7WGEF8vL?si=NxZvDh4mR0SNwTvSe1UZDQ

https://primalcreation.bandcamp.com

https://www.instagram.com/primal_creation/

Sophomore album from Belgian modern thrashmetal-band Primal Creation out now!

ALTER BRIDGE and SLASH FEATURING MYLES KENNEDY AND THE CONSPIRATORS vocalist Myles Kennedy will embark on a “socially distanced” solo tour in June.

Confirmed dates are as follows:

June 23 – Kansas City, MO @ Uptown Theater 
June 24 – Lincoln, NE @ Bourbon Theater 
June 26 – Hoffman Estates, IL @ Now Arena (with HALESTORM) 
June 27 – Oshkosh, WI @ Ford Festival Park (with HALESTORM)

Kennedy‘s sophomore solo album, “The Ides Of March”, will be released on May 14 via Napalm Records.

During his time at home due to all touring being canceled, Myles created the framework for the song ideas that would make up “The Ides Of March”. He then called up his cohorts from his “Year Of The Tiger” debut — Uddin and Tournier — and the three musicians drove to Florida to record the album with longtime producer Michael “Elvis” Baskette.

From the slide guitar riffs of “Get Along” to the pensive blues style of closer “Worried Mind”, it is clear that Myles has crafted a formidable follow up to his debut solo album. While “Year Of The Tiger” was more of an acoustic exploration through Myles‘s mind, “The Ides Of March” finds him strapping on his electric guitar and pushing himself as a guitarist/songwriter. Tracks like “A Thousand Words”“Wake Me When It’s Over” and “Moonshot” showcase the diverse musical arrangements that have garnered Myles fans globally across all of his projects. The epic “The Ides Of March” clocks in at over seven minutes, and MylesTim and Zia showcase their musical chops on the track.

In November, Myles told Kylie Olsson about how “The Ides Of March” compares to “Year Of The Tiger”: “It dawned on me last night as I was listening [to the new album], I was, like, ‘You basically made a rock record.’ [Laughs] I don’t know if I went into it with that intention initially. And I feel like it definitely is still a continuation of the overall style that was established for the solo project on ‘Year Of The Tiger’. There’s a fair amount of acoustic instrumentation; there’s a lot of lap steel [guitar]. I love the lap steel; I just love the way you can make it weep — it’s got a very vocal quality. But then I realized there’s just a lot of guitar and a lot more solos — you know, guitar geek stuff that I enjoy.”

A month earlier, Kennedy told Terrie Carr of the Morristown, New Jersey radio station 105.5 WDHA that it was a joy to reconnect with Uddin, Tournier and Baskette for the making of the new LP.

“Oh, yeah, it was great,” he said. “It was great, because we actually drove [to the studio in Florida]. So Zia, my drummer, who, we’ve played together for the last 30 years, off and on, since we were in high school. He’s, in my opinion, one of the greatest rock and roll drummers alive; he’s so good, it’s mind-boggling. So we started driving. We left Spokane, with the gear in tow. And then we met Tim about halfway. I think we met somewhere in Tennessee, maybe. Then we after driving to Orlando, we all quarantined. Zia did his drums and then he went home, and then Tim finished up. He hung around for a little while. And then I was there for, I think, seven weeks with Elvis.”

He continued: “It’s a fun environment. We all love each other dearly. I’m serious when I say this: we’re a bunch of middle-aged children. I mean, it’s as if we’ve taken a time machine and we’re in the seventh grade. And the humor is ridiculously silly. I don’t even know how to articulate how ridiculous it gets when you put all of us in a studio together. [Laughs]”

Myles‘s tour in support of “Year Of The Tiger” featured music from the album as well as selections from Myles‘s work with ALTER BRIDGE, THE MAYFIELD FOUR and SLASH FEATURING MYLES KENNEDY AND THE CONSPIRATORS.

MYLES KENNEDY Announces June 2021 ‘Socially Distanced’ U.S. Solo Tour

Welcome to our “Psychedelic Lunch Series,”where we find out how deep the rabbit hole really goes and explore music from the 60’s to today. Weekdays At Noon EST. Enjoy the trip!

Trent Reznor, Singer, songwriter, producer, instrumentalist

Founded in 1988 by Trent Reznor in Cleveland, Ohio, Nine Inch Nails (NIN) is commonly referred to as an industrial rock act though NIN defies genre convention, drawing musical inspiration from hardcore industrial bands like Skinny Puppy and Throbbing Gristle, while incorporating solo piano ballads, synthpop variations and even elements of drum & bass into their sound. Trent Reznor is the only official member of the project although backing musicians are employed for live performances.

As a studio engineer and fresh out of the bands The Innocent and Exotic Birds, Reznor started his own project borrowing John Malm Jr. from Exotic Birds as his informal manager. At the time, Reznor worked as a janitor and assistant for Right Track Studios. There he recorded his first demos. Unable to find like-minded individuals that suited his artistic needs, Reznor played all the instruments himself except for the drums and went on to support Skinny Puppy at several concerts.

Reznor’s aspirations for NIN included a 12-inch single on a small European label, but he signed with TVT records and recorded nine tracks in November 1988. These tracks were later included in NIN’s first full length album release in 1989. There was much speculation about the project’s name, perhaps alluding to the nine-inch nails used for the crucifixion of Jesus or, it was speculated, meant to allude to Freddy Kreuger’s nails from the horror franchise Nightmare on Elm Street. Reznor himself disputed any literal meaning claiming he chose the title because it abbreviated well and made a good logo.

In 1989, Reznor collaborated with Adrian Sherwood and Mark “Flood” Ellis on the production of the album Pretty Hate Machine, including the now classic NIN singles “Head Like A Hole” and “Down In It.” This album was one of the first independently released albums to ever achieve platinum status. The original music video for “Down In It” sparked controversy when the helium weather balloon used to film the last scene, where Reznor lies seemingly dead and covered in corn starch while other band members walk off screen in weird costumes, escaped its mooring and ended up in a farmer’s field. The farmer took the camera to the FBI suspecting marijuana surveillance footage. The FBI thought the footage was related to gang violence or possibly even a snuff film.

In 1990, NIN hit the road for The Pretty Hate Machine Tour Series, opening for Peter Murphy and The Jesus and Mary Chain. This tour developed into a world tour that continued through the Lollapolooza tour in 1991. Reznor’s onstage antics became increasingly aggressive resulting in smashed equipment and ecstatic fans.

After disillusion with the TVT record label and trying to record music under various pseudonyms to get around the label’s insistence that NIN assume a more synthpop sound for their follow-up album, Reznor and Mark Ellis started recording in secret. TVT eventually traded NIN over to Interscope, which encouraged Reznor to make the music he wanted to and also helped him set-up his own label, Nothing. In 1992, Reznor released Broken, Nothing’s first album, an EP featuring six songs and two bonus tracks. Heavier and harder than the band’s previous album, two of the tracks off Broken, “Wish” and “Happiness in Slavery” won NIN two Grammy awards for Best Metal Performance, the first two of twelve subsequent Grammy nominations.

Having moved into an LA residence famous for being the site of the Tate Murders (perpetrated by cult leader, Charles Manson) controversy continued to dog Reznor when the music video for “Happiness in Slavery” was universally banned. The footage featured Bob Flanagan naked on a machine which pleasured, tortured and eventually killed him. Continuing along these graphic lines, Reznor’s videos for “Pinion” and “Help Me I’m In Hell” featured a toilet flushing into the mouth of a person in bondage and a young man kidnapped, tortured and killed respectively. Although these videos were never officially released, they were circulated amongst covert tape trading groups at the time.

Living and recording at his LA home dubbed Le Pig, Reznor chose to record rather than tour and began work on The Downward Spiral released in 1994. Influenced by Bowie and Pink Floyd, The Downward Spiralfeatures a range of moods as the music seems to follow the psychological development of a central character. The most successful NIN’s album to date, the album’s success was anchored by the singles “Closer,” “Hurt” (nominated for a Grammy and later covered by Johnny Cash), “March of the Pigs” and “Piggy.” The video for “Closer” directed by Mark Romanek received heavy rotation on MTV2 after extensive editing, the original considered too graphic once again for most watchers. The video is an industrial take on the lab of a 19th century mad scientist complete with animal cruelty, religious symbols including a monkey suffering crucifixion, graphic sexual images and a variety of S&M/bondage paraphernalia. Reznor himself dons an S&M mask while swinging in shackles, which only added to the controversial content.

Reznor embarked on the Self Destruct Tour, culminating in a mud-drenched Woodstock ’94 performance. The Downward Spiral album and tour garnered NIN both critical acclaim and a horde of new fans, catapulting the relatively unknown industrial act onto the mainstream charts with significant, but censored, radio play. After the tour, Reznor took a break from NIN, working on several soundtrack projects. Reznor produced the soundtrack for Natural Born Killers directed by Oliver Stone, developed the music and sound effects for the first person shooter video game Quake and produced the soundtrack for David Lynch’s Lost Highway. The soundtrack for Lost Highway spawned the single release of “The Perfect Drug.” The video, again directed by Romanek, features a father mourning his dead son in a Gothic mansion while losing himself to absinthe addiction, perhaps prophetic of Reznor’s later battles with alcoholism and drug addiction.

In 2005, NIN released their long overdue fourth full-length album, With Teeth, written in the shadow of Reznor’s battle with alcoholism and substance abuse. Singles include “The Hand That Feeds” and “Every Day is Exactly The Same” but the album was generally slammed by critics as being unoriginal and lacking in signature Reznor creativity.

NIN followed up the mediocre success of With Teethwith their 2007 offering, Year Zero, a concept album critical of the US government’s approach to politics. The album’s story is set in 2022, in an America ravaged by terrorism now operating under a Christian theocracy while distributing a drug designed to make the masses apathetic. Rebel movements from 2022 travel back in time to warn 2007 Americans of the coming apocalypse. This album met with critical acclaim but failed to perform in the charts. Although Reznor planned to create a movie adaptation of the album, that idea has since been superseded by HBO and BBC interest in developing a miniseries for TV.

In 2008, Reznor released two albums – Ghosts I-IVand The Slip – under creative commons license, making them available for free download on NIN’s official website. The albums were surprisingly popular, receiving over 5 million downloads. Since 2009, Reznor has officially put NIN on indefinite hiatus while working on side projects including How to Destroy Angels with his wife Mariqueen Maandig, and Atticus Ross. Reznor and Ross worked together on the soundtrack for the film The Social Network, winning a Golden Globe and Academy Award for Best Original Score 2010. Reznor and Ross again collaborated on the score for the 2011 film The Girl with the Dragon Tattoo.

Trent Reznor appeared fleetingly in the 1987 Michael J. Fox movie Light Of Day, where he’s part of a Synth-Pop band who aren’t much good.

Trent Reznor married Mariqueen Maandig in October 2009. They have two sons, Lazarus Echo (born October 10, 2010) and Balthazar, (born December 31, 2011). Reznor settled on his boys’ names ahead of their births, but admitted to Scotland’s The Daily Record that he would have had a battle on his hands with his in-laws if he’d had a daughter. “With those names, the boys are going to have to learn how to fight,” he laughed. “The in-laws are fine with it. The children were going to be stuck with those names regardless. But if there was a female, we were going to have a punch-up for sure.”

In 2009, before privacy was a major concern to most users, Trent Reznor released a Nine Inch Nails iPhone app with an innovative feature: Nearby, which let fans find other fans using the app in their area. The app didn’t work very well and never caught on.

Stabbing Westward frontman Christopher Hall credits Nine Inch Nails for getting his band and other industrial acts signed to major labels. “They had amazing songs that were super edgy to be on the radio and made everyone feel edgy and dirty,” “When that happened, every record label in America – and this is what they always do, they’re reactive as opposed to being proactive – they looked around and said, ‘Where can we get one of them?'”

Filter frontman Richard Patrick was a touring guitarist for Nine Inch Nails from 1989-1993. His only recorded contribution is a guitar drone that can be heard at the end of “Sanctified.”

Speaking on the podcast Stop! Drop & Talk, Patrick cited comments from Trent Reznor as the motivating factor for him quitting Nine Inch Nails.

“The final straw was Trent goes, ‘Hey, listen, Rich, I know you need some extra cash. Listen. Down at the end of Cielo Drive, there’s a little pizzeria, and they need drivers. So maybe you can go make some extra cash over there,'” Patrick explained. “And I’m, like, ‘Wow!'”

At that point Patrick had already written Filter’s’s debut single “Hey Man Nice Shot” and had interest from several labels.

Nine Inch Nails entered the Rock and Roll Hall of Fame in 2020. At the ceremony (virtual, due to coronavirus), the Rock Hall made it clear that Reznor was the group, but inducted six other members as well:

Trent Reznor, Atticus Ross and Jon Batiste won the Oscar for best score for the jazz-infused Pixar feature Soul, which featured the contrast of New York’s jazz scene with original compositions by Batiste, and the ethereal Great Before, scored by Reznor and Ross.



Chris Vrenna
Danny Lohner
Robin Finck
Atticus Ross
Alessandro Cortini
Ilan Rubin

Ross, Cortini, and Rubin didn’t make any contributions to NIN in the ’90s.

Psychedelic Lunch

Promo cover artLEACH
D.O.D
Brutal Records
April 2021We are happy to welcome a new artist to the Brutal Records Roster LEACH has signed a deal with the label for worldwide release the single D.O.D release April 16th, and a full album “Lovely Light of Life” May 21th, 2021

LEACH will released a brand new song and music video featuring Strid. The Soilwork / The Night Flight Orchestra mainman lent his unmistakable voice to the band’s new song, “D.O.D”, available April 16th via Brutal Records on all streaming platforms, and D.O.D  Official Music Video Feat. Bjorn Speed Strid, Premiere April 21 Worldwide

The Nordic country boasts a thriving extreme music Swedish metal onto the world with the “thrash n’ roll”  band LEACH with catchy riffs as well as the pounding drums and wailing solo.

LEACH has established a style and a sound that makes them stand out from the crowd with their own blend of thrash, hardcore, metal, punk and even a bit of traditional rock and roll, the sound is visceral and pumped full of energy just waiting to take out a wall close to you!

PRE-SALES LINKS:

Lovely Light of Life
https://orcd.co/pvbab6r

D.O.D Feat. Bjorn Speed Strid
https://orcd.co/12zzaaj

LEACH
https://www.facebook.com/leachswe
lhttps://www.instagram.com/leachswe/

Brutal Records Stores:

Europe & World
Plastic Head Distribution
https://cutt.ly/ixaJ4TI

North America & Worldwide
MVD
https://cutt.ly/sxaJY4u

BRUTAL RECORDS
https://www.brutalrecords.com/ (Coming Soon)
https://brutalrecords.bandcamp.com/
https://soundcloud.com/brutalrecords
https://www.instagram.com/brutalrecords.official/
https://www.facebook.com/BrutalRecords.USA/
https://twitter.com/BrutalRecordsUS
https://www.youtube.com/c/BrutalRecords

Promo cover artLEACH
Lovely Light of Life 
Brutal Records 
21 May 2021We are happy to welcome a new artist to the Brutal Records Roster LEACH has signed a deal with the label for worldwide release the title album “Lovely Light of Life” May 21th, 2021

The Nordic country boasts a thriving extreme music Swedish metal onto the world with the “thrash n’ roll”  band LEACH with catchy riffs as well as the pounding drums and wailing solo.

LEACH has established a style and a sound that makes them stand out from the crowd with their own blend of thrash, hardcore, metal, punk and even a bit of traditional rock and roll, the sound is visceral and pumped full of energy just waiting to take out a wall close to you!

If it’s burly, melodic, and fits together perfectly, it’s probably from Sweden. LEACH certainly are, and their warts-and-all style of thrash-n’-roll is just begging for a throwdown.

“Lovely light of Life” is their third major rodeo, and straight out the gate, a mission statement of thrash, hardcore and rock’n’roll. “Carry the stigma” knows how to get the pit started, and it’s pedal to the metal until the last track. “Sweet Blasphemy” thunders through its chugging grooves relentlessly, while “Trench Walk” is an anthemic riff-out carved from the foundation of rock itself.  

To top it off, the production is the right level of crisp and rough-n’-ready – a tip to the skills of Christian Silver at Studiomega (Arch Enemy, Kreator, Soilwork, Dragonforce).

When coming from such a rich scene as Sweden (Borås), a band cannot help but take some influence from their forefathers – in this case, the insistent energy of a Raised Fist, the rock n’ roll parts of a latter-day Entombed, and the infectious melodies of The Haunted. But it’s not all Svenska – the US gets a look in, with Hatebreed’s snarling bravado, and the thrash-fest of Exodus and Nuclear Assault.All of these influences have been distilled into a potent concoction that is instantly recognizable and wholly theirs.

LEACH are a band built for the stage – that much is clear. And with live experiences that stretches through Europe and as far as Dubai – their frantic energy has been proven. But there’s more than enough replay value in “Lovely light of Life” if a bedroom mosh is in order. Invite some friends, throw the windows up, and let the music fly.

PRE-SALES LINKS:

Lovely Light of Life
https://orcd.co/pvbab6r

D.O.D Feat. Bjorn Speed Strid
https://orcd.co/12zzaaj

LEACH
https://www.facebook.com/leachswe
lhttps://www.instagram.com/leachswe/

Brutal Records Stores:

Europe & World
Plastic Head
https://cutt.ly/ixaJ4TI

North America & Worldwide
MVD
https://cutt.ly/sxaJY4u

BRUTAL RECORDS
https://www.brutalrecords.com/ (Coming Soon)
https://brutalrecords.bandcamp.com/
https://soundcloud.com/brutalrecords
https://www.instagram.com/brutalrecords.official/
https://www.facebook.com/BrutalRecords.USA/
https://twitter.com/BrutalRecordsUS

Spotify Playlist : https://cutt.ly/YhTXMVV

Youtube Channel
https://www.youtube.com/c/BrutalRecords

LEACH released a brand new song and music video featuring Björn Strid of Soilwork / The Night Flight Orchestra mainman lent his unmistakable voice to the band’s new song, “D.O.D”, available now via Brutal Records on all streaming platforms

Pictured L-R:
Alex Giustino (Bass)
Anto Addabbo (Guitars)
Tommy Montenegro (Vocals)
Alberto Pinto (Guitars)
Francesco Inchingolo (Drums)

Reality Grey has been making their rounds through the Italian metal scene since 2004, spending many years touring Europe and playing alongside bands such as Deicide and Municipal Waste along with three well-received full-lengths under their belts. This coming May 7th, they will be adding a new album “Beneath This Crown” to their legacy.

Until they can hit the stage again, Reality Grey hopes that “Beneath This Crown” will tide over fans with its aggressive, melodic vocals and razor-sharp guitar solos. According to them, the creative process for this release has been very meticulous and nothing has been left to chance. On this offering, the music has affected the lyrics; there is a lot of anger and a bit of sadness. 

Over these last few months, in lead up to the album’s release, they have unveiled a few singles; one of those is the very melodic and complex“Multidimensional Hollow”, which features fast guitar solos and an epic finale.

Today, the band has teamed up with GearGods to showcase the shred on “Multidimensional Hollow” with a new guitar playthrough by Anto Addabbo, which can be viewed HERE.

Guitarist Anto Addabbo describes his thoughts on the track:

“When I wrote this song I was listening to a lot of sci-fi soundtracks from movies and I think it influenced how the track came together at the end, it has different feels throughout its length. Lyrically the song is about the struggle to succeed in life. Things don’t always go like you hope they will and not everyone knows how to cope with failure.”

Born in 1979, Anto Addabbo is a guitar player, songwriter, arranger, producer, and performer led into the music scene by pure passion and commitment.

Known as a vanguard of the Italian metal scene for his passionate and technical guitar technique, blending his love for the aggression of metal with the melodic phrasing of rock/fusion, Anto Addabbo is the founder of modern metal powerhouse Reality Grey, being now an endorsed artist for popular brands like Jackson Guitars, EMG Pickups, and MooerAudio.

From their debut in 2006, Reality Grey has enjoyed success as a ‘Modern Extreme Metal’ band, an assessment they both appreciate and challenge as they quest to define and pioneer their own signature sound in the metal scene.

Release after release, Reality Grey has proven to be a tight five-piece able to break the melodic death metal dogmas, producing a challenging and inviting hybrid of modern metal in its pure form: melody, brutal and complex.

Album pre-save – https://backl.ink/144305702 

Previous Videos:
Powerblast – https://youtu.be/s3pSFUFZzSI
Multidimensional Hollow – https://youtu.be/4hDxsTop8Fs
Daybreakers – https://youtu.be/spOgWpdGcwY
The Void – https://youtu.be/nUnldMsfKDA
The Fury – https://youtu.be/hFEyqEh00Os

Track Listing:
1. Legion (Intro) (1:51)
2. Fade In Fear (4:44)
3. Kings Of Nothing (5:18)
4. Preachers Of Hatred (4:05)
5. Daybreakers (5:37)
6. Powerblast (4:09)
7. Multidimensional Hollow (4:16)
8. The Fury (4:01)
9. Dreaming (Feat. Milly Florio from End Of Skyline) (5:13)
10. Reascent (4:01)
11. Beneath This Crown (5:28)
12. Indelible Stains (3:39)
13. The Void (4:34)
Album Length: 57:03
For more info:
Facebook.com/RealityGrey
Instagram.com/realitygreyEPK

Reality Grey is supported by the Programmazione Puglia Sounds Record – 2020/2021 and REGIONE PUGLIA FSC 2014/2020 – Patto per la Puglia Investiamo nel vostro futuro.

About:
Hailing from South Italy, Reality Grey stands tall in the Italian metal scene. Formed in 2004, Reality Grey began their quest to redefine melodic death metal. As a tight-knit 5 piece band, Reality Grey incorporates a modern hybrid of extreme music: melody, brutality; blending complex, yet catchy songwriting. Fearsome death growls & clean vocals give way to razor-sharp guitar riffs and fusion-oriented solos, Reality Grey set out to create something all their own.

With the release of the debut full-length album “Darkest Days Are Yet To Come” in 2006, in the heat of the melodic death metal revolution, Reality Grey managed to secure their first record deal with Razar Ice Records USA. Songs like “Reality Grey” and “Never again” racked up hundreds of thousands plays on the old MySpace allowing the band to tour, gaining popularity well beyond the Italian borders. Following up with EP “Day Zero”, Reality Grey began to push their own boundaries. Ferocious, yet melodic, with a no-holds-barred songwriting attitude. Songs like “Day Zero” and “Slavery” emerged the band’s experimental side, synths, melancholic pianos, and acoustic guitars; perfectly fused with intoxicating sonic aggression.

After years of non-stop touring alongside bands like Deicide, Unearth, Municipal Waste, Sadist, Malevolent Creation, and more, the critically acclaimed “Define Redemption” is released by Bakerteam/Scarlet Records; sending the band on their first headline tour in Japan. Reality Grey, now having been featured on worldwide publications Metal Injection, Metal Hammer UK, Metal Temple, and Metal.de, released 2018’s “The Void”. Reviewed as “a complete and total aural devastation…” that “will blow your speaker out” by Metal Injection.

Reality Grey has completed work on their upcoming full-length due out May 7th 2021 (Blood Blast Distribution powered by Nuclear Blast). Looking ahead with tours and festival appearances on their sights, Reality Grey will continue to push ambitiously, earning their place among the pantheon of heavy music.

Now, having inked a worldwide deal with Extreme Management Group (EMG), the band says “We’re thrilled to announce that we have started working with Extreme Management Group! Definitely the right place for us. Big news is coming very soon. Stay tuned!” EMG said, “We are excited to be working with Reality Grey. They have some really fantastic music. We expect big things to come from this partnership.”.

“Melodic, aggressive and catchy, this track adds (Multidimensional Hollow) well placed synths and ambiance to an already well rounded sound, making it complex without being overcomplicated. The new album shows a marked evolution in the band’s sound, something that will intrigue current fans and entice new ones.” – Metal Injection

“Beneath this Crown, a creative step forward in their combination of NWOAHM from the early aughts, At the Gates-inspired metalcore and Scandinavian-flavoured melodic death metal.” – Decibel Magazine

“Reality Grey give off a viciousness and expertise hard to find in other bands. The instrumental expertise of each component is absolute, slighting touching tech-death side of acts like The Faceless but remaining ‘catchy’ in their complexity” – Metal Hammer


“It’s complete and total aural devastation with some seriously chunky moments, so it lives right up to what you’d expect a song called “The Void” to do.” – Metal Injection

“Reality Grey will serve the world of metal excellently both as an all round, no nonsense, metal act and as a brigde band for younger fans of heavy music” – Metalunderground.at

Reality Grey Guitarist Anto Addabbo Shares The Power of Shred In “Multidimensional Hollow” Playthrou