Welcome to our “Psychedelic Lunch” series where we find out how deep the rabbit hole really goes and explore psychedelic tunes from the 60’s to today. Weekdays At Noon EST. Enjoy the trip!

The Flaming Lips, The Spider Bite Song. Album: The Soft Bulletin (1999)

This song chronicles the experiences the band members had prior to recording The Soft Bulletin. Lead singer Wayne Coyne’s father passed the year before, bassist Michael Ivins was in a very strange car accident. Lastly, drummer/guitarist Steven Drozd came close to having to have his arm amputated due to a spiderbite.

This song is very piano-driven but has an intriguing drum effect all throughout.

It turned out that Drozd’s arm was abscessed as a result of his heroin use rather than because of the spider bite. Wayne Coyne recalled to Uncut magazine June 2008: “Everyone wants to know on ‘Spiderbite Song’ whether I really knew that Steven had a drug problem. All I can say is, not as much as I knew later! Everybody was busy doing their own trip, and being around drug addicts, they’re not much different than they were the previous week. I mean, it happens so slowly that you get used to it. It must be like those guys that have giant tumors on their faces. It grows a little every day. When I think of it now, I’m surprised at how precarious the whole thing was. That probably played into the song and the whole theme of the LP. In a way I probably thought that Steven may not even be here for another year.”

Photo: The Flaming Lips Facebook Page

Psychedelic Lunch

Ukrainian modern metallers JINJER have released the official live video for the song “Pit Of Consciousness”from their latest album “Macro”. The clip was filmed by Oleg Rooz (SUICIDAL TENDENCIESTHE DILLINGER ESCAPE PLANENTER SHIKARI) during the band’s captivating 2019 performance in Kiev.

Commented bass player Eugene Abdukhanov: “Back when we recorded this show, we were on the tail end of a six-month tour, and somewhere in between all that madness, we managed to write and record ‘Macro’… It was an extremely stressful time. But it was one of the most positive times of our lives.

“Things right now look pretty grim and no one knows what will happen next.

“We want to release this video with the hopes of letting people know that no matter how crazy, confusing and scary things get — BETTER TIMES are on the way.

“Let’s use the time at home in isolation to take a good look inside and learn about our true selves…”

“Macro” was released in October via Napalm Records. Punishing riffs, aggressively blended vocals and astonishingly deep lyrics make “Macro” JINJER‘s most advanced and undeniable album yet — taking the listener on a journey of trauma, power struggle and greed with a progressive groove metal backdrop.

While January 2019’s “Micro” EP proved to be a short exercise in madness and technical brilliance, fans still weren’t prepared for what JINJER had in store with the absolutely unbridled “Macro”. Defying all boundaries, the aptly titled opening track “On The Top” features the band’s eclectic trademarks and obeys one law only — their own. Frontwoman Tatiana Shmaylyuk defines the unique character of the Ukrainian act with menacing whispers, enthralling clean vocals and brutal growls whilst lethally groovy riff cascades melt into twisted songwriting. There is space for a microscopic bit of reggae “Judgement (& Punishment)” in all the heaviness, the double bass is beautifully out of control on “Pausing Death”, and technically superior tracks like “Home Back” defy gravity.

JINJER Releases Live Video For ‘Pit Of Consciousness’

Dave Mustaine recently took to social media to share some really sad news about his older sister Michelle Mustaine. Heres what he had to say.

No other details surrounding Michelle Mustaine’s passing have been made available at this time. A sparsely used Twitter account under her name, containing one personal tweet and two retweets of encouraging posts made by Dave, all from 2017, suggest she had been battling an undisclosed ailment during that year.

Our thoughts are with the Mustaine family during this difficult time.

Dave Mustaine Shares Very Sad News

Trent Reznor took to his Twitter Account to announce new music for the first time in a while. Heres what he had to say.

Friends-

WEIRD TIMES INDEED…

AS THE NEWS SEEMS TO TURN EVER MORE GRIM BY THE HOUR, WE’VE FOUND OURSELVES VACILLATING WILDLY BETWEEN FEELING LIKE THERE MAY BE HOPE AT TIMES TO UTTER DESPAIR – OFTEN CHANGING MINUTE TO MINUTE. ALTHOUGH EACH OF US DEFINE OURSELVES AS ANTISOCIAL-TYPES WHO PREFER BEING ON OUR OWN, THIS SITUATION HAS REALLY MADE US APPRECIATE THE POWER AND NEED FOR CONNECTION.

MUSIC – WHETHER LISTENING TO IT, THINKING ABOUT IT OR CREATING IT – HAS ALWAYS BEEN THE THING THAT HELPED US GET THROUGH ANYTHING – GOOD OR BAD. WITH THAT IN MIND, WE DECIDED TO BURN THE MIDNIGHT OIL AND COMPLETE THESE NEW GHOSTS RECORDS AS A MEANS OF STAYING SOMEWHAT SANE.

GHOSTS V: TOGETHER IS FOR WHEN THINGS SEEM LIKE IT MIGHT ALL BE OKAY, AND GHOSTS VI: LOCUSTS… WELL, YOU’LL FIGURE IT OUT.

IT MADE US FEEL BETTER TO MAKE THESE AND IT FEELS GOOD TO SHARE THEM. MUSIC HAS ALWAYS HAD A WAY OF MAKING US FEEL A LITTLE LESS ALONE IN THE WORLD… AND HOPEFULLY IT DOES FOR YOU, TOO. REMEMBER, EVERYONE IS IN THIS THING TOGETHER AND THIS TOO SHALL PASS.

WE LOOK FORWARD TO SEEING YOU AGAIN SOON.
BE SMART AND SAFE AND TAKE CARE OF EACH OTHER.

WITH LOVE,
TRENT & ATTICUS

HERE’S WHERE YOU CAN LISTEN RIGHT NOW:
FREE DOWNLOAD FROM US
YOUTUBE

ALBUMS WILL BE AVAILABLE ON ALL STREAMING SERVICES TONIGHT

New Nine Inch Nails Ghosts V – VI

Welcome to our “Psychedelic Lunch” series where we find out how deep the rabbit hole really goes and explore psychedelic tunes from the 60’s to today. Weekdays At Noon EST. Enjoy the trip!

Black Sabbath, Shes Gone. Album: Technical Exstacy (1976)

Technical Ecstasy is the seventh studio album by English rock band Black Sabbath, produced by guitarist Tony Iommi and released in September 1976. The album was certified Gold on 19 June 1997 and peaked at number 51 on the Billboard 200 Album chart. “Shes Gone,” has a psychedelic rock sound.

Black Sabbath has been one of my favorite bands all through the seventy’s. This album would rate in my top five. The song She’s Gone is/was one of my favorites.

Psychedelic Lunch

Welcome to our “Psychedelic Lunch” series where we find out how deep the rabbit hole really goes and explore psychedelic tunes from the 60’s to today. Weekdays At Noon EST. Enjoy the trip!

Moody Blues, Legend Of A Mind. Album: In Search of the Lost Chord (1968)

  • This song is about Timothy Leary, who is mentioned several times in the lyrics, although the title is not. Leary is a counter-culture icon who was a proponent ot the therapeutic effects of LSD. >>
  • The song features a flute solo by Ray Thomas, lasting about two minutes in the middle.
  • Mike Pinder plays the mellotron on the track. It’s been said that The Moody Blues invented “symphonic rock” with their discovery and adoption of the somewhat “cosmic” instrument. “If we hadn’t discovered the mellotron, nobody else would have,” Justin Hayward told Q magazine in 1990. “It was a very temperamental instrument. It was always going wrong. It weighed a ton. We only had one roadie and it would take all of us to carry it into a gig. We used to sleep on it because it was the biggest thing in our transit. There used to be fights to see who would sleep on it.”

Psychedelic Lunch

William Frederick Rieflin was an American musician. Rieflin came to prominence in the 1990s for his work mainly as a drummer with many notable groups including Ministry, the Revolting Cocks, Lard, KMFDM, Pigface, Swans, Chris Connelly, and Nine Inch Nails.

Rieflin died on March 24, 2020 from cancer at the age of 59.

Rieflin’s passing was confirmed by King Crimson founder Robert Fripp. In a post to social media, the guitarist explained that Rieflin’s wife, Tracy, called him with the news. “Tracy told Toyah (Fripp’s wife) and me that the day was grey, and as Bill flew away the clouds opened, and the skies were blue for about fifteen minutes. Fly well, Brother Bill! My life is immeasurably richer for knowing you.”

Rieflin’s career began in his hometown of Seattle, where he drummed with a variety of local acts, including punk rock group the Blackouts. The band’s final EP was produced by Ministry’s Al Jourgensen, with whom Rieflin became friendly.

Following the Blackouts’ disbandment, Jourgensen recruited the drummer to join Ministry. Rieflin played on the band’s 1988 album The Land of Rape and Honey, a landmark release in the industrial music genre. He continued as a member of the group through the mid-90s, contributing to five of the band’s LPs.

In a 2011 interview with Modern Drummer, Rieflin recalled his departure from Ministry. “When I started playing with Ministry in ’86 it was all very computer, synthesizer, and noise based. Those records were pretty interesting for that time, and we had a lot of fun doing them,” the drummer explained. “And then Al got more interested in guitar rock music like on [the 1992 album] Psalm 69. I’m just not interested in that metal guitar rock; it bores the crap out of me. I have been known to say, with great pride, that my last act in Ministry was to refuse to play on their version of (Bob) Dylan’s ‘Lay Lady Lay,’ which appeared on [1996’s] Filth Pig. When I left Ministry, I didn’t have a plan per se. My first concern was getting the hell out of there. My second concern was, ‘Well, what now?’”

“What now” turned out to be a run of material with a wide variety of artists, including German industrial group KMFDM, New York experimental band Swans and folk group Angels of Light. Rieflin also played on Nine Inch Nails’ 1999 double album The Fragile.

Also in 1999, Rieflin released his debut solo album, Birth of a Giant. It was during this time that a publicist introduced him to R.E.M.’s Peter Buck.

“When R.E.M. was preparing to begin work on what was to become Around the Sun, I was asked if I wanted to do a few weeks of recording,” Rieflin recalled. “A few weeks became a few more weeks. Eventually I was asked to do the European tour, then the U.S. tour. Then I guess they just got used to me hanging around. Perhaps at that point it was too much trouble to get someone else.”

Though he was excited to be playing with the group, Rieflin admitted he was only mildly familiar with R.E.M.’s music. “I didn’t know their records. I knew pretty much what your average radio-listening, MTV-watching American knew about them. ‘Losing My Religion’ was the first time I stopped to listen; a lot of it had to do with the video.”

The drummer would contribute to R.E.M.’s final three albums — 2004’s Around the Sun, 2008’s Accelerate and 2011’s Collapse Into Now.

Upon the band’s breakup in 2011, Rieflin was asked what he’d miss about working with the group. “Firstly and perhaps most importantly, the R.E.M.’s are a rare breed in my experience: they are all lovely guys — very smart, funny and, significantly, among the most generous and big-hearted people I have ever met,” the drummer explained to NPR, noting that he’d miss “a lot of things” about collaborating with the band.

Fripp, with whom Rieflin had previously collaborated and remained friends, announced that the drummer had joined King Crimson in 2013. Rieflin would tour with the group and appear on five of their ensuing live albums, released between 2015-18. More recently, the drummer had been absent from the group since taking an indefinite sabbatical in 2019.

Rieflin’s official cause of death has not been released, but session drummer Matt Chamberlain tweeted that the drummer passed away from cancer. Nirvana bassist Krist Novoselic was among the rockers to pay tribute to Rieflin via Twitter.

Bill Rieflin, Drummer for Ministry, R.E.M., and King Crimson Dies at 59