William Frederick Rieflin was an American musician. Rieflin came to prominence in the 1990s for his work mainly as a drummer with many notable groups including Ministry, the Revolting Cocks, Lard, KMFDM, Pigface, Swans, Chris Connelly, and Nine Inch Nails.

Rieflin died on March 24, 2020 from cancer at the age of 59.

Rieflin’s passing was confirmed by King Crimson founder Robert Fripp. In a post to social media, the guitarist explained that Rieflin’s wife, Tracy, called him with the news. “Tracy told Toyah (Fripp’s wife) and me that the day was grey, and as Bill flew away the clouds opened, and the skies were blue for about fifteen minutes. Fly well, Brother Bill! My life is immeasurably richer for knowing you.”

Rieflin’s career began in his hometown of Seattle, where he drummed with a variety of local acts, including punk rock group the Blackouts. The band’s final EP was produced by Ministry’s Al Jourgensen, with whom Rieflin became friendly.

Following the Blackouts’ disbandment, Jourgensen recruited the drummer to join Ministry. Rieflin played on the band’s 1988 album The Land of Rape and Honey, a landmark release in the industrial music genre. He continued as a member of the group through the mid-90s, contributing to five of the band’s LPs.

In a 2011 interview with Modern Drummer, Rieflin recalled his departure from Ministry. “When I started playing with Ministry in ’86 it was all very computer, synthesizer, and noise based. Those records were pretty interesting for that time, and we had a lot of fun doing them,” the drummer explained. “And then Al got more interested in guitar rock music like on [the 1992 album] Psalm 69. I’m just not interested in that metal guitar rock; it bores the crap out of me. I have been known to say, with great pride, that my last act in Ministry was to refuse to play on their version of (Bob) Dylan’s ‘Lay Lady Lay,’ which appeared on [1996’s] Filth Pig. When I left Ministry, I didn’t have a plan per se. My first concern was getting the hell out of there. My second concern was, ‘Well, what now?’”

“What now” turned out to be a run of material with a wide variety of artists, including German industrial group KMFDM, New York experimental band Swans and folk group Angels of Light. Rieflin also played on Nine Inch Nails’ 1999 double album The Fragile.

Also in 1999, Rieflin released his debut solo album, Birth of a Giant. It was during this time that a publicist introduced him to R.E.M.’s Peter Buck.

“When R.E.M. was preparing to begin work on what was to become Around the Sun, I was asked if I wanted to do a few weeks of recording,” Rieflin recalled. “A few weeks became a few more weeks. Eventually I was asked to do the European tour, then the U.S. tour. Then I guess they just got used to me hanging around. Perhaps at that point it was too much trouble to get someone else.”

Though he was excited to be playing with the group, Rieflin admitted he was only mildly familiar with R.E.M.’s music. “I didn’t know their records. I knew pretty much what your average radio-listening, MTV-watching American knew about them. ‘Losing My Religion’ was the first time I stopped to listen; a lot of it had to do with the video.”

The drummer would contribute to R.E.M.’s final three albums — 2004’s Around the Sun, 2008’s Accelerate and 2011’s Collapse Into Now.

Upon the band’s breakup in 2011, Rieflin was asked what he’d miss about working with the group. “Firstly and perhaps most importantly, the R.E.M.’s are a rare breed in my experience: they are all lovely guys — very smart, funny and, significantly, among the most generous and big-hearted people I have ever met,” the drummer explained to NPR, noting that he’d miss “a lot of things” about collaborating with the band.

Fripp, with whom Rieflin had previously collaborated and remained friends, announced that the drummer had joined King Crimson in 2013. Rieflin would tour with the group and appear on five of their ensuing live albums, released between 2015-18. More recently, the drummer had been absent from the group since taking an indefinite sabbatical in 2019.

Rieflin’s official cause of death has not been released, but session drummer Matt Chamberlain tweeted that the drummer passed away from cancer. Nirvana bassist Krist Novoselic was among the rockers to pay tribute to Rieflin via Twitter.

Bill Rieflin, Drummer for Ministry, R.E.M., and King Crimson Dies at 59

Written By Braddon S. Williams

KING CRIMSON: In The Court Of The Crimson King

Progressive Rock 101…pick up a copy of In The Court Of The Crimson King by King Crimson and listen loudly (preferably with a good set of headphones)!

When this groundbreaking album came out in 1969, it went against the grain of a lot of the popular music of the time. Even for the experimental, acid rock, and psychedelia of the ’60’s, Crimson was pretty far outside the norm.

Robert Fripp has gone through myriad lineup changes of his band, but King Crimson has remained cutting edge and independent of any trends for their entire history.

On this debut album, Greg Lake handled lead vocals and bass, and then went on to further progressive rock fame with Emerson, Lake and Palmer.

Lake was a great singer with a beautiful voice that lent itself perfectly to the radical 21st Century Schizoid Man and the majestic The Court Of The Crimson King.

Even the cover artwork for this album reveals multiple levels of emotion and mystery.

Progressive rock has influenced countless bands since King Crimson’s debut, and the band itself continues to lead the way into the future of musical exploration.

Influences And Recollections of a Musical Mind

The experiment continues in Day 4 with a legendary release from the masters of Progressive Rock, King Crimson, and their epic 1981 record, Discipline. This was the debut of the classic lineup of Robert Fripp, Adrian Belew, Tony Levin, and Bill Bruford. I purchased this one on vinyl while on vacation in Los Angeles in 1984. I had never heard anything quite like it, and it stands outside and well above nearly anything else I can think of from that entire decade. The guitar work of Fripp and Belew, both virtuoso players individually, became something greater than the sum of its parts when they blended their distinct styles together into something awe-inspiring. Add Levin’s outstanding work on bass and Chapman Stick, and Bruford’s magnificent percussion barrage, throw in Belew’s fantastic wordplay and crystalline vocals, and you have an astonishingly talented band. The whole album is extraordinary, but The Sheltering Sky, Matte Kudasai, Elephant Talk, and Frame By Frame are certainly highlights for me. If you’ve never heard this one, I highly recommend giving it a listen.

Written By Braddon S. Williams

“Influences And Recollections of a Musical Mind!”