Today is the day! Motley Crue‘s long-awaited film adaption of their infamous The Dirt book is now on Netflix. The band recorded four new songs for the soundtrack, having previously released two of them (“The Dirt (Est. 1981)” and a cover of Madonna’s “Like a Virgin“) and now the remaining two tracks have surfaced.
“Ride With the Devil” (heard above) is a mid-tempo bluesy groover with lyrical nods to the band’s past (“Too Fast for Love”) as well as the present with the line “give me the dirt,” which is also the refrain on “The Dirt (Est. 1981).”
Below, you can hear “Crash and Burn,” another mid-tempo track with a similar arrangement. Much like “Ride With the Devil,” the verse relies on a rigid drum beat as the rest of the instrumentation steamrolls the energy into a shimmering chorus.
With the film’s release, fans have speculated as to whether Motley Crue will perform one-off shows, which would presumably not conflict with the cessation of touring agreement the four members signed as they embarked on their farewell tour, which concluded on Dec. 31, 2015.
Nikki Sixx wondered aloud if Crue had retired too soon as he sees contemporaries like Aerosmith and Metallica still hitting the road. “There will be no one-offs in our future,” the bassist told Rolling Stone, adding, “Maybe we’ll just get together and jam in Mick Mars’ front room.”
Written By Braddon S. Williams
Motley Crue: Shout At The Devil
I almost had to flip a coin to decide if I should go with Too Fast For Love or Shout At The Devil by Mötley Crüe, but I went with the pentagram for the victory.
Shout At The Devil (1983) was the big breakthrough album for the L.A. hair metal masters, but I first became aware of them when I saw the video for Live Wire off their first album. That is probably still my favorite Crüe song of all time, but Shout At The Devil was better produced and solidified the band’s sleazy image.
The title song was such an anthem and sounded amazing with capacity crowd’s yelling the refrain “Shout…Shout…Shout” in one enormous voice.
Speaking of enormous, Tommy Lee’s drums sounded enormous on this album, and Mick Mars made his mark with larger than life riffs and slashing lead guitar.
Nikki Sixx kept the bass lines simple, but functioned as the chief songwriter and mastermind of the whole operation.
Vince Neil stood out as the only blonde and sang like a human razor blade.
The songs were basic sex, drugs, and rock ‘n roll manifestos, with Red Hot, Too Young To Fall In Love, Looks That Kill, Danger, Ten Seconds To Love, Knock ‘Em Dead, Kid, and a ripping cover of Helter Skelter by The Beatles all kicking lots of proverbial ass. With Shout At The Devil, the hair metal revolution was in full swing, and Mötley Crüe were firmly in command.