MÖTLEY CRÜE bassist Nikki Sixx has dismissed the influx of negative professional critic reviews the band’s biopic “The Dirt” has received, insisting that the fans love the movie.

He tweeted on Friday: “The album is number #1.The fans are going crazy over #TheDirt. The critics hate it. @MotleyCrue @netflix WORLD FUCKING WIDE.”

“The Dirt” currently has an 86% audience score from 324 reviews on Rotten Tomatoes, an online review aggregation service that allows the public to score the movies alongside critics. It has a 42% critic score from 36 reviews on the same site.

Indiewire David Ehrlich called “The Dirt” “wonderfully bad” and compared it to last year’s QUEEN biopic “Bohemian Rhapsody”. “Bohemian Rhapsody” has a 61% critic score on Rotten Tomatoes but won four oscars.

“For all the unique details of their story (and their sound), QUEEN‘s big screen bow was so generic that it felt like Bryan Singer was trying to gaslight everyone into forgetting that ‘Walk Hard’ had already reduced this entire genre to a joke,” Ehrlich wrote. “And for all the legendary hedonism that defined their lives, MÖTLEY CRÜE‘s movie feels like it could have been made about any one of a zillion other bands. Hell, it could even have been made about QUEEN!”

Los Angeles Times called “The Dirt” “horribly timed,” “astoundingly tone deaf” and “as vapid and misogynistic as the band members and the book they wrote with author Neil Strauss.”

The Daily Beast said that “The Dirt” “spends almost two hours glamorizing shitty behavior, and then attempts to exonerate its stars with a few vague voiceovers about regret and rehabilitation.”

The Atlantic wrote: “The danger of a document like ‘The Dirt’ is in showing pigheadedness as not only fun and cool, but also elemental, inexplicable, and unstoppable.”

Deadline wrote that “The Dirt” has been “bleached pretty clean from its feral and self-admitted sordid source material,” citing frontman Vince Neil‘s drunken car crash that killed HANOI ROCKS drummer Razzle and the death of his daughter after a battle with cancer as “rare exceptions in this straight to MOR movie that has a limited emotional range outside of party time.”

The New York Times concurred, saying that screenwriters Rich Wilkes and Amanda Adelson had “sanded it down to a junior varsity ‘Bohemian Rhapsody’.”

Some media outlets were kinder in their assessments, with Decider writing: “Lower your expectations, throw caution, decorum and good taste to the wind, and file it under ‘guilty pleasure.'” The Guardian praised the performances of actors Douglas Booth (who plays Nikki Sixx), Iwan Rheon (who plays Mick Mars) and Daniel Webber (who plays Vince Neil), saying that they “possess similar abilities to navigate between charm and repulsion, all working together to create such a chummy group that their power as an ensemble elevates the material. Just like their real-life counterparts.”

“The Dirt” movie, which was helmed by “Jackass Presents: Bad Grandpa” director Jeff Tremaine, was picked up by Netflix after being previously developed at Focus Features and before that at Paramount.

“The Dirt Soundtrack” accompanies the movie and features a collection of MÖTLEY CRÜE classics that meaningfully underscore significant moments that shape the film. Exclusive to the film’s soundtrack, MÖTLEY CRÜE recorded four new songs, including the single “The Dirt (Est. 1981) (feat. Machine Gun Kelly)”, “Ride With The Devil” and “Crash And Burn”, plus a cover of Madonna‘s “Like A Virgin”.

MÖTLEY CRÜE Movie ‘The Dirt’ Is Hated By Critics, Loved By Fans, Says NIKKI SIXX

Today is the day! Motley Crue‘s long-awaited film adaption of their infamous The Dirt book is now on Netflix. The band recorded four new songs for the soundtrack, having previously released two of them (“The Dirt (Est. 1981)” and a cover of Madonna’s “Like a Virgin“) and now the remaining two tracks have surfaced.

“Ride With the Devil” (heard above) is a mid-tempo bluesy groover with lyrical nods to the band’s past (“Too Fast for Love”) as well as the present with the line “give me the dirt,” which is also the refrain on “The Dirt (Est. 1981).”

Below, you can hear “Crash and Burn,” another mid-tempo track with a similar arrangement. Much like “Ride With the Devil,” the verse relies on a rigid drum beat as the rest of the instrumentation steamrolls the energy into a shimmering chorus.

With the film’s release, fans have speculated as to whether Motley Crue will perform one-off shows, which would presumably not conflict with the cessation of touring agreement the four members signed as they embarked on their farewell tour, which concluded on Dec. 31, 2015.

Nikki Sixx wondered aloud if Crue had retired too soon as he sees contemporaries like Aerosmith and Metallica still hitting the road. “There will be no one-offs in our future,” the bassist told Rolling Stone, adding, “Maybe we’ll just get together and jam in Mick Mars’ front room.”

Mötley Crüe RELEASE TWO MORE NEW SONGS FROM ‘THE DIRT’ SOUNDTRACK

Written By Braddon S. Williams

Motley Crue: Shout At The Devil

I almost had to flip a coin to decide if I should go with Too Fast For Love or Shout At The Devil by Mötley Crüe, but I went with the pentagram for the victory.

Shout At The Devil (1983) was the big breakthrough album for the L.A. hair metal masters, but I first became aware of them when I saw the video for Live Wire off their first album. That is probably still my favorite Crüe song of all time, but Shout At The Devil was better produced and solidified the band’s sleazy image.

The title song was such an anthem and sounded amazing with capacity crowd’s yelling the refrain “Shout…Shout…Shout” in one enormous voice.

Speaking of enormous, Tommy Lee’s drums sounded enormous on this album, and Mick Mars made his mark with larger than life riffs and slashing lead guitar.

Nikki Sixx kept the bass lines simple, but functioned as the chief songwriter and mastermind of the whole operation.

Vince Neil stood out as the only blonde and sang like a human razor blade.

The songs were basic sex, drugs, and rock ‘n roll manifestos, with Red Hot, Too Young To Fall In Love, Looks That Kill, Danger, Ten Seconds To Love, Knock ‘Em Dead, Kid, and a ripping cover of Helter Skelter by The Beatles all kicking lots of proverbial ass. With Shout At The Devil, the hair metal revolution was in full swing, and Mötley Crüe were firmly in command.

Influences And Recollections of a Musical Mind