Photo credit: Hristo Shindov

California based extreme metal titans SUICIDE SILENCE have released the official music video for the song “Feel Alive”. The track is taken from the band’s sixth studio album, “Become The Hunter”, on February 14, 2020 via Nuclear Blast. The disc was produced by Steve Evetts (THE DILLINGER ESCAPE PLANSEPULTURAHATEBREED) at The Omen Room and mixed by Josh Wilbur (TRIVIUMLAMB OF GODGOJIRA). Ted Jensen (PANTERADEFTONESSLIPKNOT) mastered the album at Sterling Sound Studios in Nashville, Tennessee. The artwork for the album was created by Adrian Baxter.

Like the previously released videos for “Meltdown” and “Love Me To Death”, the “Feel Alive” clip was directed by Scott Hansen of Digital Thunderdome.

“Become The Hunter” track listing:

01. Meltdown 
02. Two Steps 
03. Feel Alive 
04. Love Me To Death 
05. In Hiding 
06. Death’s Anxiety 
07. Skin Tight 
08. The Scythe 
09. Serene Obscene 
10. Disaster Valley 
11. Become The Hunter

SUICIDE SILENCE‘s latest, self-titled album came out in February 2017 via Nuclear Blast Entertainment. The CD was produced by Ross Robinson, who has previously worked with KORNSLIPKNOTLIMP BIZKIT and SEPULTURA, among others, and was mixed by Joe Barresi (KYUSSMELVINSTOOLQUEENS OF THE STONE AGE).

The controversy over the album’s sound — featuring a more melodic and clean singing style, in the vein of acts like DEFTONES and KORN — caused one disgruntled fan to launch a petition to stop the record coming out.

SUICIDE SILENCE‘s performance at the December 2015 benefit show in support of Mental Health America Of Los Angeles (MHLA) at The Observatory in Santa Ana was released this past July as the album “Live & Mental” via Nuclear Blast.

“Live & Mental” was produced by the band while mixing was handled by Josh Gilbert (WOVENWAR, AS I LAY DYING). The cover photos were shot by Jerry John Nicholl.

Video Premiere: SUICIDE SILENCE’s ‘Feel Alive’

On this date in history, 8/13/2008, the inaugural edition of the Mayhem Festival arrived at Deer Creek In Noblesville just in time to fill the void left by the dearly departed Ozzfest, which had ceased to be a touring fest after the free show the previous year.

Mayhems’ first lineup featured Slipknot, Disturbed, Dragonforce, Mastodon, Machine Head, Airbourne, Five Finger Death Punch, Walls Of Jericho, Dead Broke, Underoath, 36 Crazyfists, The Red Chord, Black Tide, and Suicide Silence.

I always love finding a band I’ve never heard before and getting to witness a set that makes me a fan. Such was the case with Suicide Silence…they just took that stage and OWNED IT…just an absolutely crushing set of brutality, insane energy, and pure confidence.

The Red Chord made me a fan, too. I didn’t get to see much of their set because I was in the process of meeting Machine Head when they were on stage, but as I was talking to Rob Flynn, he suddenly jumped up on a chair and told me to check out an event that was taking place during The Red Chord’s set.

They did a “Wall Of Death” that was utterly crazy…first time I had ever seen one of those. Rob Flynn, who has most likely seen everything that metal has to offer, took the time to make sure I got to see it, and I glanced over at him and marveled at the gleam in his eyes and the huge grin on his face and realized that he is just as much a fan of our beloved metal music as I am. Needless to say, my love of Machine Head grew 3 sizes that day, much like the Grinch’s heart in the Dr. Seuss fable.

A few quick words about Walls Of Jericho before I get back to the mighty Machine Head…they were so amazing! Candace Kucsulain, the ginger headed female lead singer of the metalcore band, was literally like the Tasmanian Devil, exhorting the metal masses to start circle pits, crowd surf, and just jump up and down and scream their heads off. She knows how to get a crowd into it, and her band used that skill set to great advantage.

I put them right up there with Suicide Silence on the intensity Richter Scale! Machine Head were the final band on the second stage, and they were phenomenal. Flynn’s vocals were just massive and perfect, and the band were tighter than anything this side of Megadeth…just a fine tuned killing machine, I mean Machine Fucking Head!

Mastodon began the proceedings on the main stage and brought their own precision to their unique brand of progressive metal. Brann Dailor is one of the best drummers in metal, perhaps in all of rock music, and his playing is the perfect style for the band’s ever shifting canvas of complex riffs.

I’m not a fan of Dragonforce (although I have to acknowledge that their guitar players are extremely gifted players…the vocals and rehashed Iron Maiden ripoff rhythm patterns by the drummer and bass player just ruin it for me), and I actively dislike Disturbed, so I took a break during their sets and gathered energy for the storm that is Slipknot.

The 9 finished the virginal edition of Mayhem with a colossal show that the Iowa bred madmen have perfected over the course of their long career…everything louder, brighter, faster, and crazier than everything else…and that’s a good way to close out a show that had just begun a great 8 year run!

Written By Braddon S. Williams aka The Concert Critic

 

On This Date in History

On this date in history, 8/7/2011, the Mayhem Festival arrived at Deer Creek in Noblesville just in time to make all of us metal fanatics happy…or at least argumentative concerning the lineup, which included Disturbed, Godsmack, Megadeth, Machine Head, Hatebreed, The Athiarchists, Unearth, Suicide Silence, Kingdom Of Sorrow, All Shall Perish, Red Fang, Straight Line Stitch, and The Surface. Every year I attended one of these all day metal festivals I would always try to discover a band I hadn’t previously heard before, and Red Fang was that band on this date.
They were phenomenal, kind of a mixture of Clutch and Mastodon, but very individual and original sounding at the same time. Highly recommended, in other words…check ’em out. Straight Line Stitch were great, too. I have a soft spot for bands with female vocalists, and the woman who sings for Straight Line Stitch can truly sing in addition to sounding like a wounded animal being tortured by hot pokers.
All Shall Perish brought the brutality, as did Suicide Silence. This was the last time I saw Mitch Lucker perform before his untimely death, and the next time that Suicide Silence returned, their new singer came from All Shall Perish, so this show was the beginning of a circle.
Kingdom Of Sorrow combined Jamey Jasta of Hatebreed with Kirk Windstein of Crowbar and Down (at that time) for a monstrous side project.
Bad weather temporarily halted their set, but it passed quickly enough that they were able to return and finish what they started.
We (being crazy metalheads) didn’t even seek shelter! Unearth played a blazing set that paved the way for Machine Head over on the main stage. Machine Head were my favorite band of the entire day. Rob Flynn and his army were simply magnificent, playing with a precision and rage that the iconic Megadeth had trouble following.
Dave Mustaine has always run a tight ship with Megadeth, and they rose to the challenge, showing why they are firmly in the Big 4 of thrash metal.
Godsmack shifted gears somewhat, ushering in the more “radio friendly” format of metal that would continue through their set and into the headliners, Disturbed. My friend and I stuck around long enough to watch the film that lead into Disturbed’s performance and then we left.
Mutually agreed that we don’t like that band. I acknowledge their success and understand they have legions of fans. I hope those fans enjoyed the show, but it isn’t my band and never will be. Overall, I had a fantastic time as always. I discovered a band, rocked to some longtime favorites, and truly had a great day with a really cool person.
Written By Braddon S. Williams aka The Concert Critic

On This Date in History