WHITECHAPEL Announces US Headlining Tour; Band To Play The Valley Full-Length In Its Entirety

Photo by Stephanie Cabral

WHITECHAPEL will embark on a US headlining tour this Spring where the band will perform their critically lauded 2019 full-length, The Valley, in its entirety! The special month-long trek begins on April 14th in Atlanta, Georgia and runs through May 13th in Nashville, Tennessee. Support will be provided by Archspire, Signs Of The Swarm, and labelmates, Entheos.

Comments guitarist Alex Wade: “We are excited to announce our first headlining tour in four years in which we will be playing our album The Valley in full. The pandemic cut our album cycle for The Valley short and we never had the chance to do a proper headliner for it, so we are finally making that happen with a roster of extreme and brutal bands to support this effort. We will also play an extended encore of classic bangers in addition to The Valley set so this is surely one not to miss!”

Local presales will be available Wednesday, February 8th @ 10:00am EST – Password: At Local Discretion. General on sale date is this Friday, February 10th @ 10:00am local time at:whitechapelband.com. See all confirmed dates below.

WHITECHAPEL w/ Archspire, Signs Of The Swarm, Entheos:
4/14/2023 Masquerade – Atlanta, GA
4/15/2023 The Orpheum – Tampa, FL
4/16/2023 Revolution – Ft. Lauderdale, FL
4/18/2023 The Underground – Charlotte, NC
4/19/2023 The Canal Club – Richmond, VA
4/20/2023 Baltimore Sound Stage – Baltimore, MD
4/21/2023 The Gramercy Theater – New York, NY
4/22/2023 The Palladium – Worcester, MA
4/24/2023 St. Andrews Hall – Detroit, MI
4/25/2023 The House Of Blues – Chicago, IL
4/27/2023 Granada Theater – Lawrence, KS
4/28/2023 Gothic Theater – Denver, CO
4/29/2023 Metro Music Hall – Salt Lake City, UT
5/01/2023 Showbox Market – Seattle, WA
5/02/2023 Hawthorne Theater – Portland, OR
5/04/2023 Ace Of Spades – Sacramento, CA
5/05/2023 The Regent – Los Angeles, CA
5/06/2023 The Observatory – Santa Ana, CA
5/07/2023 The Nile Theater – Mesa, AZ
5/09/2023 Mohawk – Austin, TX
5/10/2023 Grenada Theater – Dallas, TX
5/12/2023 Red Flag – St. Louis, MO
5/13/2023 Basement East – Nashville, TN

The Valley is WHITECHAPEL’s seventh full-length studio offering, released in 2019 via Metal Blade Records. The record was mixed by David Castillo, mastered by Ted Jensen, and produced by Mark Lewis (Cannibal Corpse, The Black Dahlia Murder). Exclaim crowned The Valley, “the strongest release of [WHITECHAPEL’s] career…” In a 9/10 review, Metal Injection championed, “one of the most well-written metal albums I have heard in quite some time,” furthering, “The interplay of the heavy and the melancholy is done beautifully.” Added Consequence Of Sound, “Thanks to a unique blend of instrumentation, excellent vocal talent, and poetic lyricism, WHITECHAPEL’s The Valleytakes its place among the upper ranks of the band’s discography.”

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Influences And Recollections of a Musical Mind

Written By Braddon S. Williams

Whitechapel: This Is Exile

Whitechapel released the murderous musical rampage of This Is Exile (2008) and made a big time fan of me.

I discovered them via a video on the reboot of MTV’s Headbanger’s Ball.

The song was Possession off of This Is Exile, and I was captivated by the relentless brutality and attack of the Tennessee deathcore band.

Phil Bozeman’s voice is otherworldly; a beast of a voice, with almost bottomless low guttural growls, and a furious delivery. Whitechapel utilizes 3 guitar players that work up a tapestry of violent sound, but are also capable of subtle nuances and eerie atmospherics at just the right places, giving the band more depth than many of their contemporaries.

Some of my favorites from This Is Exile include Possession, Messiahbolical, To All That Are Dead, Father Of Lies, Daemon (The Procreated), Exalt, and the diabolical title track.

I witnessed Whitechapel perform This Is Exile in its entirety recently at Piere’s in Ft. Wayne, IN.

The intimacy of the club setting was the perfect location for a completely vulgar display of power.

On This Day in History

On this date in history, 7/15/2012, the 5th installment of the Mayhem Festival made its annual visit to Deer Creek, and my friends and I were part of the metal masses in attendance.

This show featured Slipknot, Slayer, Motörhead, As I Lay Dying, Anthrax, The Devil Wears Prada, Asking Alexandria, Whitechapel, Upon A Burning Body, I The Breather, Dirtfedd, Betraying The Martyrs, Hemlock, and our hometown heroes, the mighty Threat Level.

I am unable to comment on each band, but will do my best to spotlight the bands I enjoyed the most and welcome comments from anyone in attendance who may wish to fill in the blanks and give a review on any of their favorites.

The first band to attract my interest was Upon A Burning Body, but as good as they were, they were absolutely obliterated by Whitechapel, who played a singularly vicious set, raising the brutality bar to the highest echelons of intensity.

Anthrax have long been a favorite of mine, and they appeared to be in fine form on this day, but I was only able to catch 2 or 3 songs before I had to make my way to the stage where my friends in Threat Level were set to detonate the crowd gathered for their crushing performance. The band; comprised of Frank Rapacki on vocals, Troy Welch on guitar, Jason Weaver on bass, and Chad Smith (not THAT Chad Smith) on drums, had won a regional battle of the bands to secure their spot on this show and they made the most of it, impressing the large and boisterous assembly awaiting the band’s powerful blend of groove and thrash metal, topped by Rapacki’s roaring voice. Some fierce pit action accompanied favorites from their Leading The Vicious and A World Beyond Devastation albums.

After a much needed break following Threat Level’s set, I was ready for the trinity of terror comprised of Motörhead, Slayer, and Slipknot. Lemmy and company were a band on my bucket list and they were every bit as wonderful as I expected them to be. Mickey Dee drummed like a man possessed, Phil Campbell provided the guitar carnage, and the immortal Lemmy played the superhuman, jet propulsion bass and rasped out his one of a kind and singularly irreplaceable vocals on a set full of thunderous Motörhead majesty, including  “Ace Of Spades”, and “Overkill”, with its 2 false endings and the furious finale with nothing but truth.

Slayer followed with their diabolical majesty, continuing the onslaught that wouldn’t abate until the concert ended. Dave Lombardo was still in the drum throne at this time, and for my money he is the undisputed king of metal drumming. Jeff Hanneman was absent by this time and Gary Holt from the band Exodus did an admirable job of filling some nearly impossible shoes to fill. Kerry King and Tom Araya did what they have always done, with King hammering the riffs with beastly intent and causing sonic disturbances and eardrum lacerations with his punishing leads, and Araya summoning up that VOICE, the mouthpiece for the Slaytanic war ensemble.

A crushing performance it was…and this left the 9, the masked minions of Mayhem, the circus of the damned known as Slipknot to take us to the finish line as only they can. Joey Jordison was the 3rd and final superpowered drummer I had the joy to witness back to back to back in this amazing display of ferocious multi limb dexterity. Corey Taylor added his voice to the hall of fame duo of Lemmy and Araya, and the rest of the Iowa based madmen did what they do, delivering visual thrills and chills and a whole lot of metallic bombast.

This one may not have been the strongest lineup overall, but it definitely was the one with the strongest 1-2-3 punch to end the show of any of the Mayhem Festivals.

Written By Braddon S. Williams AKA The Concert Critic

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